Finally rented the movie “American Splendor,” which was a film I’ve been meaning to check out for a long time. In case the title doesn’t ring a bell (a very likely case, since it was a small independent film, albeit an award winning one), the movie is based on the life of real life comic book writer Harvey Pekar. If you’re not familiar with his work, he transforms generous portions of his real life situations into comic book form. What makes his stuff oddly appealing is that his life is not filled with glitz and glamour (although he did make several appearances on Letterman in the ’80s), but rather mundane stuff.
It’s that mundane quality that makes a little part of you wonder why Pekar hasn’t gone berserk. The movie shifts constantly shifts from the real life Pekar and his family to the actors and actresses portraying them, and along the way Pekar is pretty much narrating the fact that a good portion of his life was a piece of crap. From what we see in the film, it’s certainly nowhere near a great life; most of the time, he struggles to remain above mediocre. He lives in a bad neighborhood, doesn’t drive, is twice divorced, and works as a file clerk at a hospital, something he never stopped doing despite his comic books being published. It’s a tough movie to watch at times; despite the success of the comics, he really never seems to better himself except for finding his true equal with his similarily quirky third wife Joyce. However, he is a guy that made me pause for reflection. After all, I’m a guy struggling to get into the world of print, with a rather maudlin day job, blessed with an equal mate. Throughout the movie, I saw things that Pekar did that reminded me of myself, such as his record collecting and his frugality. It jolted a little bit of fear into me; fear that informed me that if I’m blessed enough to become a published writer, that I don’t eventually wind up like this guy later in life-63 seemingly going on 85, crotchety, convinced that his formative years were pretty much an exercise in excrement. Then again, I’m sure I feel much better about my life than he felt about his life when he was 32, so I’m probably off to a head start.
Paul Giamatti as Pekar is brilliant, as always (he’s a guy that needs to get more good movie roles, anyway), and Hope Davis, as his wife, Joyce, is unrecognizable in long, stringy black hair and eyeglasses that nearly border on novelty size. Anyway, I do recommend this movie. It’s a great look into a group of people that you’d typically want to distance yourself from, yet you wind up having some sympathy for anyway.